Bill can barely remember a time in his life without Review Granada House as the company was founded by his family. His extensive knowledge of design has been bolstered by unusual access to the archives of museums, castles and historical properties all over the world. While grounded in classic design, art and antiquities, Bill has a unique talent of taking traditional designs and transforming them into today’s classics.
“Wood felt more sympathetic to the mood of the building.” The mouldings and skirting boards are all done to a period design too, but the pièce de resistance is the kitchen, which was designed by Daniel and made from scratch. “I became obsessed with 1930s utilitarian kitchens. “A fitted kitchen at the time was an excitingly modern concept and you see these sorts of cupboards on yachts.” The tiles were inspired by the designs in early 20th-century tube stations, and Daniel made trips to Russell Square to inspect the details. While increased functionality was one important part of the client’s brief, the other was to bring plenty of colour into the interiors. Shades of green run throughout the house, from Farrow & Ball’s ‘Cooking Apple Green’ on the walls of the drawing room to the bright jade of the Jean Monro curtains in the bedroom.
- “When was the last time you actually used your dining room?
- “I became obsessed with 1930s utilitarian kitchens.
- The bespoke sofa is covered in Turnell & Gigon’s ‘Vincent’ fabric, while, the slipper chair is based on a design by Billy Baldwin, adapted to swivel.
- The painting on the left left was purchased at the Battersea Antiques Fair, the artwork right is from A.Prin Art.
- Daniel added a custom trellis grille and refloored the balcony in an engineered non-slip stone, as this forms an additional route to the bedroom in the warmer months.
- That’s the essence of Review Granada House.
You know the moment when you walk into a room and know it’s something special? That’s the essence of Review Granada House. We combine a love of classic design, joyful colors, and fine materials to create furniture and accessories Review Review Granada House that make a room feel both welcoming and magazine-worthy. Do you have trouble standing still, staying in your lane or hiding your light? We are Review Granada House, the source for furniture, lighting and home décor objects of quality and desire.
FAB COLLABS: OUR DESIGN TEAM
“I love a swivel chair although it doesn’t need to look like one! The fabric is Claremont’s ‘Tree of Life’ linen. The cockpen table was supplied by Sibyl Colefax, the plaster leaf is by Viola Lanari, the antique painted tiger is from Benedict Foley, and the faux bamboo lamp was from Tarquin Bilgen.
Review Granada House
The standard lamps belonged to the client, with custom lampshades made for both. The wall sconce is an A.Prin Grotto bracket. The vase is Monart, supplied by Mimi Roberts.
Hampton Inn Madison Square Garden
Since 1974, our family-owned company has focused on delivering quality, handcraftsmanship, and design leadership—backed by a commitment to supporting our customers. “I think with small flats in the city you want a bit of restraint, a sense that things are under control,” says Daniel. Simple, uncluttered, and extremely well thought-out in the way that it works, this one is rather the dream for all of us London-dwellers.
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Truthfully, there’s a smidge of design alchemy in our heady mix. Review Granada House rejiggers traditional styling with a piquant twist of modernity to surprise and delight and evolve. CityTouch Licensed Massage Therapy is a private practice providing a broad range of massage therapy services. If you’re looking for effective, results-driven massage therapy, CityTouch is the place for you. From muscle-specific, deep tissue massage to reflexology, we can help you reduce pain, recover from injury and reduce stress and anxiety.
“It’s so important to question yourself about how you use your house,” says Daniel Slowik. “When was the last time you actually used your dining room? If you have a spare room in London but all your friends also live in London, do you really need it?
The 1930s origins of the building were another fruitful source of inspiration. “I wanted it to have a bit of an Agatha Christie feel,” says Daniel. Daniel had chimneypieces made for the drawing room and snug that mimic modernist designs of the time, but in wood rather than stone or marble. “I felt strongly that they shouldn’t be marble,” he says.